She completed her MFA at the Ruskin School of Art, Oxford in 2022. Her current thoughts are interested in using shifting and gesture as compositional devices where potentialities are imagined. Through language and architecture works combine to reconsider modes of production as a rehearsal space where thoughts slip, slide, refuse, relate and hold.
In July 2022 she was a graduate researcher with Paul Mellon Centre x Yale School of Art where she organised COMMON-NOTE(S) – an experimental ground for unpublished thinking and writing. She has previously published in Art Review Oxford and Must Use Critical Knowledge (M.U.C.K).
