She employs casting as a sculptural process to construct material archives that capture residual aspects of sites, approaching surfaces as semi-photographic indexes. By translating geological activities (such as folding, layering and stacking) into methods of making her work, her practice alludes to the studio as a geological site bound to processes of accrual and erasure. The resulting works operate as relics in reverse.
Marie Farrington
Marie Farrington’s practice articulates intersections between landscape, visibility and histories of display, exploring how matter is coded and transformed over time.
